Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left

Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left Review

Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left Feature

• Solid Sitka Spruce Top
• Rosewood Back/Sides
• Grand Auditorium
• Hardshell Case Included

The 214's quality, style, and attractive price tag are compelling before you even pick one up, and that first strum backs it all up with great tone. Left-handed model.

214 LFT Specs Type/Shape: 6-String Grand Auditorium Back & Sides: Indian Rosewood Laminate Top: Sitka Spruce Soundhole Rosette: Plastic Neck: Sapele Fretboard: Ebony Fretboard Inlay: Pearloid Dots Headstock Overlay: Indian Rosewood Binding: White Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Enclosed, Die-Cast Chrome Plated Scale Length: 25 1/2 Inches Truss Rod: Adjustable Neck Width at Nut: 1 11/16 Inches Number of Frets: 20 Fretboard Radius: 15 Inches Bracing: X-Brace Finish: Satin Color: Natural Body Width: 16 Inches Body Depth: 4 5/8 Inches Body Length: 20 Inches Overall Length: 41 Inches

Gorgeous Indian rosewood laminate back and sides.

Classic pearloid dot inlays.

The Taylor 200 Series
The 200 Series redefines what a mid-priced guitar can be. A satin, solid Sitka spruce top meets gorgeous Indian rosewood laminate back and sides, delivering the quality sound and feel you'd expect from a Taylor. Plug in with the optional Taylor electronics and take your performance to the stage with confidence.

Sitka Spruce Top
Sitka Spruce (Picea sitchensis) grows in a coastal "pocket" from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.

Indian Rosewood Laminate Back/Sides
Indian Rosewood (Dalbergia latifolia) is coveted by players and guitar builders alike for its dark, luxurious coloration, which ranges from brown to purple to rose to black, and for tonal characteristics that include a strong bass response and long sustain. It remains the most popular tonewood used in the making of high-quality acoustic guitars.

Grand Auditorium Body Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company's 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble "zing" across the guitar's tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because we remove mass from the width of the GA's braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA, available as a 6- or 12-sting, is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.

Chrome-Plate Tuners
Taylor Tuners continue the industry-leading 18:1 gear ratio that they've been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight "slop", or slack, typical among tuners, which makes it even easier for Taylor owners to get--and stay--in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back.

Learn More About the Taylor Guitars 214 Model for Left-Handed Guitarists

With a satin solid spruce top and Indian rosewood laminate back and sides, the affordably-priced Taylor 214 is an impressive introduction to the dreadnought Taylor playing experience.

This model of the Taylor 214 is designed with left-handed guitarists in mind.

Grand Auditorium Guitars: A Taylor Tradition the Taylor 214 Continues

Introduced in 1994 to commemorate Taylor’s 20th Anniversary, the Grand Auditorium would go on to establish itself as a definitive Bob Taylor original. Tonally, the guitar embodied the qualities of balance, clarity, and versatility that became hallmark Taylor traits. Visually, the shape gave the world an equally balanced and refined aesthetic of smooth curves. In both respects, the GA was at once big enough and small enough to cover a lot of ground.

The goal, Bob says, was simply to make a guitar that was big like a dreadnought, but without a dreadnought’s traditionally boomy sound, even though the Taylor Dreadnought wasn’t boomy compared to other guitar brands. "I was looking for a good, clear tone that had volume when you played fingerstyle, which was pretty popular at the time, but then when you strummed didn’t have too much bass."

The GA has the width and depth of a Dreadnought, but its tapered waist and contours give it the appearance of a smaller instrument, making it comfortable to play. The tonal balance means it’s full in the lower register, present in the midrange, and sparkling on the treble strings.

The GA’s tonal balance also made it a favorite of engineers.

"You put a mic in front of the guitar and set everything to zero, you turn on the tape, and you play," Bob explains. "A lot of studio owners and engineers bought the GA just to put in the studio, because when things started going bad with players’ guitars during a session, the engineer would say, 'We can get this job done today if you just play this guitar.' A lot of it was the shape. We made a few bracing changes, but we depended on the shape to change that tone."

More About the 200 Series of Taylor Guitars

Meet the all-new 200 Series: Premium guitars that will change your expectations about what a serious entry-level instrument can embody. Featuring solid Sitka spruce tops and Indian rosewood back and sides, this series delivers the quality sound and feel you’d expect from a Taylor guitar.

About Taylor Guitars

Founded in 1974, Taylor Guitars has evolved into one of the world's leading manufacturers of premium acoustic and electric guitars. Renowned for blending an innovative use of modern technology with a master craftsman's attention to detail, Taylor guitars are widely considered the best sounding and easiest to play in the world. Many of today's leading musicians make Taylor their guitar of choice, including Dave Matthews, Prince, Mick Jagger and Taylor Swift.

Speak Now Pick Tin + 6 Guitar Picks

Speak Now Pick Tin + 6 Guitar Picks Review

Speak Now Pick Tin + 6 Guitar Picks Feature

• Speak Now Pick Tin + 6 Guitar Picks

This Speak Now pick tin is the perfect gift for any Taylor fan, especially those who enjoy collectibles or play guitar. Features 6 collectible guitar picks, each numbered 1-6 with a fun Taylor photo. Manufactured by Dunlop, the same company that makes the picks that Taylor uses on her tour!

Taylor Guitars 416CE Grand Symphony Acoustic Electric Guitar

Taylor Guitars 416CE Grand Symphony Acoustic Electric Guitar Review

Taylor Guitars 416CE Grand Symphony Acoustic Electric Guitar Feature

• Grand Symphony
• Ovangkol
• Sitka Spruce
• Expression System
• Hardshell Case

416CE - 6-String, Grand Symphony, Ovangkol Back/Sides, Sitka Spruce Top, Large Pearl Dot Inlay, Cutaway, ES

Taylor Guitars 200 Series 214-CE-G Grand Auditorium Acoustic-Electric Guitar - Natural

Taylor Guitars 200 Series 214-CE-G Grand Auditorium Acoustic-Electric Guitar - Natural Review

Taylor Guitars 200 Series 214-CE-G Grand Auditorium Acoustic-Electric Guitar - Natural Feature

• Solid Sitka Spruce Top
• Rosewood Back/Sides
• Grand Auditorium
• Hard-shell Bag Included
• ES-T Electronics; Cutaway

Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Indian Rosewood Back/Sides, Cutaway, ES-T

Taylor Guitars Taylor Bar Stool, Black (available June 15, 2009)

Taylor Guitars Taylor Bar Stool, Black (available June 15, 2009) Review

Taylor Guitars Taylor Bar Stool, Black (available June 15, 2009) Feature

• A foot ring adds to your playing comfort
• 30" Inch high
• Easy assembly

Our Taylor Bar Stool fully supports you and your music. The classic design features a comfy, padded swivel seat in a black matte, vinyl finish with a gray Taylor logo. A foot ring adds to your playing comfort. 30" high. Easy assembly. You’ll be ready for a house concert, even if it’s just an audience of one.

Taylor Guitars T5S Standard Acoustic Electric Guitar

Taylor Guitars T5S Standard Acoustic Electric Guitar Review

Taylor Guitars T5S Standard Acoustic Electric Guitar Feature

• Sitka Spruce Top
• Solid Sapele Body
• Hybrid Acoustic/Electric Guitars Sounds
• Micro Dot Inlay
• Hardshell Case Included

Soon after the T5 hit the market in 2005, the music industry press nominated it for Electric Guitar of the Year. And Acoustic Guitar of the Year. Which pretty much sums it all up: the T5 is an electric/acoustic that defines the hybrid category. Today, the versatile T5 is the top-selling semi-hollow body guitar and the only one that uses all-magnetic pickups for both its electric and acoustic tones. That means real acoustic tones, real electric tones, and everything in between. The T5 also features proprietary Taylor pickups, 5-Way switch, and Taylor T-Lock neck joint. Chrome sets the tone for the T5-S, in the form of the tuners and pickup hardware. A spruce top meets up with the sapele body, while microdot inlays run the fretboard.

6-String T5 Thinline Sitka spruce top Sapele back and sides Ebony fretboard and bridge Bone nut and saddle Chrome-plated Taylor tuners Adjustable truss rode Three magnetic pickups 5-way pickup switching Strung with Elixir Medium Gauge NANOWEB coated strings

The T5 body has f-holes and the slight arch in the top with an acoustic tone more akin to a flattop style of sound.

Taylor's T5 Body
Three-plus decades of acoustic expertise informed the way Taylor shaped the hollow body hybrid T5. You can hear the tonal character before you even plug it in. The T5 features a fully hollow body and an active soundboard with a compound radius. The top is a flat piece of wood braced into an arch to capture the acoustic resonance. The f-holes in the top were specially designed and voiced to further enhance the resonance of the body chamber, and to allow the top to breathe in relation to the player¹s dynamic attack.

Despite the f-holes and the slight arch in the top, the T5 is not an archtop guitar. Its acoustic tone is more akin to a flattop style of sound, as opposed to a carved top instrument like a violin, viola, archtop guitar, or mandolin.

Electronics
Thanks to its humbucking pickups and proprietary body sensor, the T5-S produces a versatile range of pure analog tones from strumming acoustic to crunchy electric and everything in between. A hidden neck humbucker, a visible bridge humbucker, and a body sensor mounted to the inside surface of the top take advantage of the latest technology, utilizing Samarium Cobalt magnets and humbucking coils. The body sensor reads the movement of the top, adding even more warmth to your acoustic tone.

Features two active preamp/EQ tone controls and a volume control.

5-way switch gives a range from acoustic tones to thick lead tones.

With 5-way switching, the T5-S gives a wide range from acoustic-like tones all the way to thick lead tones. Position 1 is where you'll find the most acoustic-like tones, and is a great position for solos and a good place to experiment with the tone controls. Position 3 will go from "spanky" and clean, all the way to "full-tilt crunch." In position 4 you might find it reminiscent of a '50s hollowbody with a slight scoop. While position 5 creates a full and bright sound that's great for thick lead tones.

In addition to the 5-way switch, two active preamp/EQ tone controls and a volume control — incorporating the same soft-touch rollers as those used on the ES--allow for a wide range of additional tone-shaping within each switch position. Located on the soundboard near the upper left shoulder of the guitar are the Volume (set apart from the other two controls), Bass (the middle control), and Treble (closest to the fretboard).

Rings Bright and Clear
The top is made from spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It's these attributes that make spruce an ideal material not only for soundboards, but also for internal bracing. The top will produce a tone slightly brighter tone than Engelmann Spruce.

Humbucking pickups and proprietary body sensor produce a versatile range of pure analog tones from strumming acoustic to crunchy electric and everything in between.

ITwo active preamp/EQ tone controls and a volume control give a wide range of additional tone-shaping within each switch position.

The back and sides are made from the mahogany-like sapele wood, which has gained a legion of fans ever since Taylor introduced it in 1998. As a tonewood, it's denser and harder than mahogany, so it has a crisper, clearer, brighter, "pop"-ier sound than its more familiar counterpart. Loud and robust, with a lovely ribboned grain, sapele has been used by Spanish guitar makers for many years.

Straight Necks Matter
Taylor's innovative T-Lock neck joint brings their trademark consistency and comfort into the electric player's hands. The Taylor NT neck in 1999 added another major breakthrough in neck design that remains a benchmark for setting an accurate neck angle. It would go on to inspire the single-bolt T-Lock neck design used on the T5-S, and now being applied to the solid body. Like the NT neck, The T-Lock employs a neck joint and a precisely milled pocket spacer to dial-in the perfect neck angle. As the neck bolt is tightened in place, it pulls the neck both down and back toward the bridge for perfect alignment and stability. It's simple to put on or take off to switch out spacers for angle adjustment. And once in place, the fit is perfect, allowing no side movement.

Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The T5-S inlay and binding work was also done by hand, providing care and "touch" that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.

Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too "bassy," for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance on the T5-S is not compromised.

Tuners
Precise, gleaming tuners add appealing form to an important function, while the type of strings used can alter the feel and the tone of your guitar. Taylor pays careful attention to both, using tuners and strings that are optimized for the T5-S guitar. Together, they are among the keys to an easy-playing, incredible-sounding Taylor.

Dean Resonator Heirloom Copper

Dean Resonator Heirloom Copper Review

Dean Resonator Heirloom Copper Feature

• Single cone construction
• Mahogany neck
• Rosewood fingerboard
• 24 3/4 in. Scale

Made of solid distressed metal with matching dot inlays and truss rod cover, the Heirloom resonator guitar from Dean has a unique voice all its own. Appointments include "F" shaped soundholes, "Aged" grover tuners, and an embossed Dean logo in the bridge cover. An affordable metal resonator guitar with a unique voice and a vintage look! RESHC & RESC ~Single Cone Top ~24 3/4" scale ~Mahogany Neck ~Rosewood fingerboard ~Die Cast Tuners ~Pearl DOT inlay ~Solid Distressed Brass or Copper Construction ~Biscut Bridge

Taylor Guitars Blue Logo T-XL

Taylor Guitars Blue Logo T-XL Review

Our blue Taylor Logo T shows off a new color option for our classic Quality Guitars logo. Traditional fit heavyweight, preshrunk 100% cotton with a taped neck and shoulders.

Taylor Guitars Polish Cloth, Tan

Taylor Guitars Polish Cloth, Tan Review

Taylor Guitars Polish Cloth, Tan Feature

• Ultra-soft microfiber cloth will help you place a sweet shine on your Taylor.
• Tan, measuring 11-1/2 x 11-1/2, the polishing cloth features the Taylor logo emblazoned near the confront.

Polishing Cloth. Our ultra-soft microfiber cloth will help you put a sweet shine on your Taylor. Tan, measuring 11-1/2" x 11-1/2", the polishing cloth features the Taylor logo emblazoned near the corner.

Taylor Guitars 110ce, Dreadnought, Solid Sitka Spruce, Sapele Back/Sides, Cutaway, ES-T

Taylor Guitars 110ce, Dreadnought, Solid Sitka Spruce, Sapele Back/Sides, Cutaway, ES-T Review

Taylor Guitars 110ce, Dreadnought, Solid Sitka Spruce, Sapele Back/Sides, Cutaway, ES-T Feature

• Solid Sitka Spruce Top
• Sapele Back/Sides
• Dreadnought
• Gig Bag Included
• ES-T Electronics; Cutaway

Addition by subtraction. A cutaway adds upper range to Taylor's most affordable full-size Dreadnought, while the ES-T pickup primes you for plugging in.

Taylor 110ce Specs Type/Shape: 6-String Dreadnought Back & Sides: Sapele Laminate Top: Sitka Spruce Soundhole Rosette: Plastic Neck: Sapele Fretboard: Ebony Fretboard Inlay: Pearloid Dots Headstock Overlay: Indian Rosewood Binding: Black Bridge: Ebony Nut & Saddle: Tusq Tuning Machines: Enclosed, Die-Cast Chrome Plated Scale Length: 25 1/2 Inches Truss Rod: Adjustable Neck Width at Nut: 1 11/16 Inches Number of Frets: 20 Fretboard Radius: 15 Inches Bracing: X-Brace Finish: Varnish Color: Natural Cutaway: Venetian Electronics: Taylor ES-T Body Width: 16 Inches Body Depth: 4 5/8 Inches Body Length: 20 Inches Overall Length: 41 Inches

The Taylor 100 Series
Tone and playability are hallmarks of Taylor guitars, and you'll find the 100 Series delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series now features both Dreadnought and Grand Auditorium shapes, along with cutaway and Taylor electronics options. Value, yes. Compromise, no.

Loud and robust Sapele Laminate back/sides.

Classic pearloid dot inlays.

ES-T pickup onboard.

Sitka Spruce Top
Sitka Spruce (Picea sitchensis) grows in a coastal "pocket" from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.

Sapele Laminate Back/Sides
This exceptional, mahogany-like wood grows throughout the tropical rain forests of Nigeria and the Ivory Coast of Africa. Ever since we introduced it in 1998, its legion of fans has grown exponentially. As a tonewood, it's denser and harder than mahogany, so it has a crisper, clearer, brighter, "pop"-ier sound than its more familiar counterpart. Loud and robust, with a lovely ribboned grain, sapele has been used by Spanish guitar makers for many years.

Varnish Finish
A durable varnish finish offers protection, good looks, and a smooth feel to the touch. The spruce top's beauty shines right through.

Dreadnought Body Shape
The original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor's, have been derivative of that early design. In 1997, however, Bob Taylor re-designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor's signature balance and clarity. Dreadnought six-strings shine as "plectrum" or "rhythm" guitars because they respond well to flatpicking or light-to-heavy strumming.

Venetian Cutaway
The cutaway allows access to the upper frets. Many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars. Others simply like the freedom of movement into the upper register that a cutaway allows. Nowadays, cutaways are favored as much for their decorative appeal as for their function. The Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. Grand Concerts and Grand Auditoriums have a steeper slope, while Dreadnoughts and Jumbos are a bit flatter.

ES-T Pickup
Inspired by Taylor's Expression System technology, the Expression System Transducer, or ES-T, is a single-source, under-saddle transducer with individual elements for each string. (The ES-T was originally called the ES Element, but the name was changed to avoid confusion with another product.) The ES-T has an onboard preamp and the same active controls found on the full Expression System. Featuring a custom-voiced EQ and dynamic response, the system is powered by a 9-volt battery, with a battery life LED power indicator (which is lit when the battery is being used). The pickup also has a Phase switch for feedback control, which is located on the preamp board inside the soundhole.

Chrome-Plate Tuners
Taylor Tuners continue the industry-leading 18:1 gear ratio that they've been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight "slop", or slack, typical among tuners, which makes it even easier for Taylor owners to get--and stay--in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back.

Learn About the Taylor Guitars 110ce Model

The Taylor 110 is a superb option for the budget-minded guitarist or an "extra" guitar for the seasoned player, the 110ce has an extremely rich and versatile voice.

A cutaway adds upper range to Taylor’s most affordable full-size dreadnought, while the ES-T pickup primes you for plugging in.

Dreadnought Guitars: A Taylor Tradition the Taylor 110ce Continues

Bob Taylor launched his career crafting Dreadnoughts and Jumbos, working with shapes he inherited from Sam Radding, the owner of the American Dream guitar shop, where he and Taylor co-founder Kurt Listug got their start.

"Our dreadnought early on was pretty boxy, and the Jumbo was kind of a big square thing, too--kind of the American Dream take on the J200 or the big Guild stuff, back in the '70s," Bob recalls.

In 2003, the dreadnought underwent a major revoicing to give it a more competitive identity among flatpickers. A cannon, it boasted 50 percent more volume and a stronger bass response, and yielded a potent growl when players dug in without upsetting Taylor's sonic balance.

The Taylor Dreadnought delivers a vintage dreadnought sound for the 21st Century.

More About the 100 Series of Taylor Guitars

Taylor's 100 Series premium guitars will change your expectations about what a serious entry-level instrument can embody. Featuring solid Sitka spruce tops and either laminated sapeleback and sides, both series deliver the quality sound and feel you’d expect from a Taylor.

You don’t need to sacrifice great tone and playability when you're looking for extra value. The sapele laminate 100 Series guitars are the real deal, crafted to deliver the complete Taylor experience, and, with laminate back and sides, are extra resilient.

You can feel good in knowing that when you buy a Taylor at any level, you get precision craftsmanship, and great tone.

Taylor 100 Series Guitars: A Rite of Passage

For some young adults, getting a driver's license is a rite of passage. For others, getting their first Taylor is. The 100 Series Taylor guitars are perfect for young players who are ready to take things to the next level. With the easiest playability and best intonation in the industry, family porch jams never sounded so good.

Tone and Playability: Hallmarks of 100 Series Guitars

Tone and playability are hallmarks of Taylor guitars, and you'll find the 100 Series delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series cutaway and Taylor electronics options. Value, yes. Compromise, no.

About Taylor Guitars

Founded in 1974, Taylor Guitars has evolved into one of the world's leading manufacturers of premium acoustic and electric guitars. Renowned for blending an innovative use of modern technology with a master craftsman's attention to detail, Taylor guitars are widely considered the best sounding and easiest to play in the world. Many of today's leading musicians make Taylor their guitar of choice, including Dave Matthews, Prince, Mick Jagger and Taylor Swift.

Taylor Guitars Road Crew T, Black, L

Taylor Guitars Road Crew T, Black, L Review

Road Crew T. Showcased front and center in gray across the chest, this Taylor logo treatment is the same style you'll find on your guitar.

Taylor Guitars Baby Taylor, BT1, Natural Acoustic Guitar with Planet Waves/GO-DPS 16 Pick Sampler (#PW-SAMPLER) & Ultra Guitar Stand

Taylor Guitars Baby Taylor, BT1, Natural Acoustic Guitar with Planet Waves/GO-DPS 16 Pick Sampler (#PW-SAMPLER) & Ultra Guitar Stand Review

Taylor Guitars Baby Taylor, BT1, Natural Acoustic Guitar with Planet Waves/GO-DPS 16 Pick Sampler (#PW-SAMPLER) & Ultra Guitar Stand Feature

• Type/Shape: 6-String 3/4 Size Dreadnought with Sapele Laminate Back & Sides, and Sitka Spruce Top & X-Brace Bracing
• Tropical American Mahogany Neck Ebony Fretboard & Bridge with Pearloid Dots inlay (Lexan Headstock overlay) Laser Etched Rosette
• Nut & Saddle: 1 11/16 Inches Nut Tusq Enclosed, Die-Cast Chrome Plated
• (Scale Length: 22 3/4 Inches with adjustable Truss Rod 19 Fret) (Body Width: 12 1/2 Inches, 3 3/8 Inches, 15 3/4 Inches)
• Includes: Planet Waves/GO-DPS 16 Pick Sampler (#PW-SAMPLER) & ULTRA Guitar Stand)

At a 3/4-scale, the Baby Taylor is the little Dreadnought that could. Taylor's ultra-portable travel mate belies its size with a sweet, full voice and great tone. It's remarkably versatile for special applications, whether played in alternate tunings or high-strung; with a capo or a slide. And it's the perfect starter guitar for young kids. The Baby Taylor is the ultimate travel companion, delivering volume and tone that surprise for its diminutive dimensions. At three-quarters the size of a full-sized guitar, the Baby Taylor lives for the road. It also loves little hands, which makes it an irresistible choice for kids taking lessons.